Wielded by a neutrally aligned caster, after attunement for 24 hours, in bright light, this relic projects a 10 foot radius circle region within 100 feet of the staff.
The Marquise of Vavasor He Ji: A fist-sized marquise-cut Alexandrite in a platinum and ruby studded cage atop a long staff. Up to 1d6 times per day, used to cast Knock, the instrument can open any door or opening, even going so far as to be able to cause a seal of up to five feet of solid stone to crumble to dust (although doing so uses all remaining charges, minimum 3)! Alternatively, while being played, as an action, (for up to 10 minutes per charge) the pipes have the effect of Turn Undead at 120 foot range, and with a saving throw DC of 12+Wis Bonus+Proficiency Mod. The khaen covers four octaves, in a diatonic scale. The Khaen of Bes: a simple and unassuming clay and bamboo, free-reed aerophone resembling a cross between an ocarina, a harmonica, and a pipe organ. It is said any melody played with it is sure to catch the ear of the gods. It was excavated, cleaned, and made into a pick for a lute/guitar per their request upon death. It is the finger bone of a once great Bard/Cleric, Gno Adagio, who wrote many hymns, poems, and writings about. Gno's Picker: This is, surprisingly, a relic of a church of. Failing either check results in temporarily losing a level for one month. Anyone not affiliated with the deity may attempt a Medium-Hard DC Religion and a Hard Performance check (using this fiddle) to cast the same spell up to 1d3 times per day. A cleric of the named deity may, 1d3 times per day, use it to cast Irresistible Dance. the trouble is, everyone who reads the inscription reads a different name.
Orichalcum Fiddle: An inscription upon this golden colored metal fiddle made of celestial wood and strings of fine orichalcum reads the name of at least one demigod of music, mirth, and or dance.
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